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sdeslimbes
Приєднався 21 лис 2011
Aleksandar Hemon - Interview on Bookworm
Aleksandar Hemon and Michael Silverblatt talking about The Book of My Lives on Bookworm.
taken from here:
www.kcrw.com/etc/programs/bw/bw130516aleksandar_hemon_the
bookworm's archive:
www.kcrw.com/etc/programs/bw
taken from here:
www.kcrw.com/etc/programs/bw/bw130516aleksandar_hemon_the
bookworm's archive:
www.kcrw.com/etc/programs/bw
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Відео
Vic Chesnutt Interview - Fresh Air (At the Cut album)
Переглядів 6 тис.10 років тому
Vic Chesnutt & Guy Picciotto on NPR with Terry Gross. Taken from here: www.npr.org/templates/story/story.php?storyId=120978388 Transcript here: www.npr.org/templates/transcript/transcript.php?storyId=120978388 NPR holds all the rights to the interview. The photo is Jem Cohen's work.
David Foster Wallace - Conversation (San Francisco, 2004)
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David Kipen interviews David Foster Wallace in San Francisco for City Arts & Lectures in 2004 - audio only. Taken from here: www.scpr.org/programs/madeleine-brand/2011/04/13/18656/book-critic-david-kipen-on-the-pale-king/ For more Wallace: www.thehowlingfantods.com/dfw
Vic Chesnutt - Gepetto
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From Little (1990) - en.wikipedia.org/wiki/Little_(album) Lyrics: Gepetto! Pinnochio, your adopted son is getting ready to go the candle wicks are asterisks you carved him yourself out of sticks a propos, had to go, he loved the alps, but he hated the snow things switch, chop a new niche soon you won't remember oh which one is which your sorrow is so silly, what's there to keep him in Italy? wh...
Adam Curtis at e-flux - Q&A (audio only)
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Part 1, the lecture: ua-cam.com/video/7ekDn7LQcho/v-deo.html Adam Curtis: The Desperate Edge of Now at e-flux, New York, 2012. His blog: bbc.co.uk/adamcurtis Long interview with Curtis: www.e-flux.com/journal/in-conversation-with-adam-curtis-part-i/ www.e-flux.com/journal/in-conversation-with-adam-curtis-part-ii/ Taken from here: www.e-flux.com/program/adam-curtis-the-desperate-edge-of-now The ...
Adam Curtis at e-flux - Lecture (audio only)
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Part 2, the Q&A: ua-cam.com/video/0RPmEQeKMjY/v-deo.html Adam Curtis: The Desperate Edge of Now at e-flux, New York, 2012. Unfortunately no video, more on the subject here: www.bbc.co.uk/blogs/adamcurtis/posts/the_years_of_stagnation_and_th Long interview with Curtis: www.e-flux.com/journal/in-conversation-with-adam-curtis-part-i/ www.e-flux.com/journal/in-conversation-with-adam-curtis-part-ii/...
Dead Confederate - Slow Poisons
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From In the Marrow (2013) Available here: deadconfederate.com I do not own the rights to the clip.
John Berger on tenderness, the dead, freedom, bikes (with Michael Silverblatt)
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Conversation with Michael Silverblatt (Lannan Foundation). The original clip: ua-cam.com/video/BLivFgw_i-8/v-deo.html The poem : Self-Portrait 1914-18 It seems now that I was so near to that war. I was born eight years after it ended When the General Strike had been defeated. Yet I was born by Very Light and shrapnel On duck boards Among limbs without bodies. I was born of the look of the dead ...
John Berger and Michael Silverblatt - part 1
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Part 2: podcast.lannan.org/2010/03/29/john-berger-with-michael-silverblatt-conversation-2/ John Berger is a storyteller, essayist, novelist, screenwriter, dramatist and critic, whose body of work embodies his concern for, in Geoff Dyer's words, "the enduring mystery of great art and the lived experience of the oppressed." He is one of the most internationally influential writers of the last fif...
Nick Cave - Secret Life of the Lovesong - Part 1 ( West Country Girl )
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The Secret Life of the Lovesong performance/lecture, West Country Girl
Nick Cave - Secret Life of the Lovesong - Part 9 ( Far From Me )
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The Secret Life of the Lovesong performance/lecture, Far From Me
Nick Cave - Secret Life of the Lovesong - Part 8
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The Secret Life of the Lovesong performance/lecture, the talk (4)
Nick Cave - Secret Life of the Lovesong - Part 7 ( Love Letter )
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The Secret Life of the Lovesong performance/lecture, Love Letter
Nick Cave - Secret Life of the Lovesong - Part 6
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The Secret Life of the Lovesong performance/lecture, the talk (3)
Nick Cave - Secret Life of the Lovesong - Part 2
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The Secret Life of the Lovesong performance/lecture, the talk (1)
Nick Cave - Secret Life of the Lovesong - Part 4
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Nick Cave - Secret Life of the Lovesong - Part 4
Nick Cave - Secret Life of the Lovesong - Part 5 ( Sad Water )
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Nick Cave - Secret Life of the Lovesong - Part 5 ( Sad Water )
Nick Cave - Secret Life of the Lovesong - Part 3 ( People Ain't No Good )
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Nick Cave - Secret Life of the Lovesong - Part 3 ( People Ain't No Good )
guy really believed in his own hype he is nothing compared to the great post modernist writers like foucault derrida calvnino
I love John’s comfort with silence whilst he considers his reply.
Silverblatt knows the people he interviews better than they know theirselves
We need the reverence of literature back in our cold world. Our brains need to dance again.
"Which is literally juvenilia."
RIP.
painfully dumb audience questions. dfw is the man
👎🏻
38:42 😢
Interesting exploration of how inter-being of artist and world and art is a 3-way process of co-creation
Hoping that Michael gets well soon. He has enriched us readers so much.
What's wrong with him?
Almost 20 years ago. Time, the revelator.
"Full Body Wince".. it speaks to you. We all know the brief, almost nqrcisdiistic self consciousness from looking at ones self in the mirror they were bit wholly anticipating.
Fixing passive voice is simple. Once you see the construct and its inherent flaws and pitfalls you just stop doing it. At its core it involves artificially reversing the subject and object of a sentence. Now if Kipen is talking about simple state of being that can often be more difficult to remove 100%, though to the extent you can remove it, your writing will improve. I do see some novice writers who do not understand the difference between passive voice and state of being, though both make for weak lifeless writing, getting rid of the former will instantly give your writing more pop, as will getting rid of the latter, but which sometimes proves impossible. Awesome hearing DFW talk here. I am one-third through Infinite Jest and this time I will for sure finish.
* I treasure these interviews and didn't enticapate my current circumstances of being cut off from my own printed words, works, and own life ⛬ trying to ingest art before the thieves and fakes get to it and degrade it in efforts of endless greed to say "mine" like swine ⛬
ua-cam.com/video/ZEvQOPUHGH8/v-deo.html Nuff Said
He is sucking schlomg
I have just discovered this wonderful man. Such beautiful words. 🌹
The interview confirms the writer's thesis: that American culture, now world culture, is about constant entertainment. The interview is awful or the idiotic question by the interviewer. I suppose he's looking for laughs and most of the questions are obvious cliches.
The end bit where he mentioned that there was no men of stature comparable to Joyce or Kafka in our time was heartbreaking. He was heading to being that man, and he would still be him today.
But he's Right on!(Quentin Tarantino '-"Theres Nobody walking around Like Actors..Re;Lee Marvin.. Charles Bronson.'Now'!&He Adds That Charlise Theron'_"Would Be As Close to that.")&I get it its just a fact.(Evolution '!?)😅😊
1:08 :05 - the cringe in that hand shake speaks volumes
Turn down the volume
“Some kind of not-as-good Joycian tumble”
The part about sitting in a quiet room and concentrating on something for a long time made me think of myself reading IJ, which is ironic because IJ is about entertainment and addiction to such, and commenting on media-saturation and distraction.
Another thing: the very fact that a book about entertainment requires such a long attention span to read and process is clever, and I hope intentional.
I fakking love David Foster Wallace. I almost enjoy the interviews more than his writing.
This is sublime thinking and was/is such a good communicator.
A lot of bullshit here, with religious dogma thrown in for extremely weak and vapid buttressing.
I always laughed with him regarding the sentence length and had nothing but envy of him for being able to be the intellect the hat pulled off what I/some of us always wanted to do but couldn't.
The audience sounds superficial.
I tried IJ three or four times, got up to about page 200. Then I read his nonfiction for a couple of years and returned to Infinite Jest. To date I’ve read it four times and am sure I’ll read it a few more times. I’ve read pretty much all of his work now, except for the literary criticism and mathematical stuff, which I can’t understand.
Why are you telling us that you are a masochist? :-)
I’ve tried it twice and currently on my third. I have to finish it this time. I love his nonfiction and his interviews.
bruh who is this dondadelo person. ive heard him say his name multiple times and i cant spell it right
don delillo
Donda Lello
Он разговаривает даже быстрее, чем Екатерина Шульман
Вот курсы писательского мастерства - это реально какое-то шарлатанство. Этому нельзя научить, с талантом к этому можно только родиться, по-моему это очевидно. И всё, что может сделать препод в рамках таких курсов, - навязать собственную эстетику, что никак не поможет студентам отыскать свой собственный голос. Можно было бы вспомнить, что Уоллес сам в своё время посещал подобные курсы, но в том-то и дело, что он там постоянно срался с преподами и гнул свою линию, то есть вёл себя явно не так, как, предполагаю, ждал от своих собственных студентов. Я абсолютно уверена, что если человек талантлив, он должен просто следовать за своими ощущениями и делать то, от чего его самого прёт. Потому что только если тебя самого прям прёт, обязательно найдутся люди, которым это понравится. И в этом весь парадокс - Уоллес никогда не сомневался в себе и в собственном вкусе, он никогда не позволил бы кому-то диктовать, что «вкусно», а что нет, потому что у него были всегда собственные взгляды на эстетику, но на его собственные курсы приходят не настолько уверенные в себе люди, они сомневаются в себе, и добровольно позволяют поставить чужие представления об эстетике выше собственных. Печаль. Словно они уверены, что у другого человека есть какой-то доступ к «объективному» представлению о том, как правильно писать, хотя эта «объективность» не основана ни на чем, кроме успеха, за которым стояла вера в собственные представления и собственный вектор развития. Идти учиться творить - значить не иметь собственного представления и собственного вкуса, а значит заведомо быть неспособным к этому занятию.
thank you!
I am by no means a genius or an intellectual like DFW but I totally get him, or maybe he gets me! I would love to have been friends with him and been able to just hang out on the porch late at night talking about cool and deep stuff.
The Dude didn't get anybody, not even himself. And why do you want to be friends with an abusive person, famous or not?
35:38
John Berger is so correct!!!
A machine can master a technique.
I think you have it backwards. Machines can't master techniques - Machines ARE techniques, mastered.
@@jordanm2984 Oh look its Marshal McLuhan!
pensando en ti en este dia de los muertos maestro - saludos y qepd
the breathless run on(with grammar) is employed experimentally throughout the entirety of Baron Wenckheims Homecoming, and I enjoyed every last letter of the novel. Take a peek for yourself sometime, you might just enjoy it.
😂
He keeps talking about "as I've gotten older-" Yet he never grew old. He cut it off, as if he feared what it means to grow old, futile, and meaningless. In the photograph above, despite the scruffy whiskers, he looks like a boy.
People relish to pry into the writer's mind as if a starving skell on skid row ripping open a soup can with a jagged can opener just so they can swirl their tongue around the skull cavity of creation and thereby gain a pustule of nutrition.
Jesus, Jim
U good, Jim
jeez this was kind of surreal, i was that lonely kid dfw. I first read IJ when i was 16 and it resonated with me unlike anything else i've ever experienced
1 14 19 46
Who is the interviewer? Anyone know? Thank you I want read his work
<<tenderness is an expresion of a refusal to judge>>
love it!❤️👍🏼
This conversation so brilliantly illustrates why the writer needs the writer just as much as vice versa.
What?
😂
He sounds very French!
This man, so full of intelligence and humor, hanged himself at age 46 because he apparently felt he had no options left.
If I had written endless bad prose, like he had, I would probably have hanged myself as well.
@@drinkingpoolwater Yes, his prose is.
@mrheck5215 Don't worry, child. I will die long before you will ever grow up. ;-)
49:50